Artist David Bowie, who traveled through the 70s and even entered the 80s as the unfailing Beau Brumell of pop taste, did not record a good part of ‘Young Americans’ (1975). philadelphia sigma studios Because if. Founded in 1968 by Joseph Tarsia, Sigma studios was the headquarters of the Philadelphia spirit, also known as the Philadelphia sound, for several years, and the Philadelphia spirit or Philadelphia sound had dominated the Napoleonic style for several years. music. It was only there that Bowie could record the album, after his victorious glam campaign, and before he became the harbinger of the music machines, in which he would briefly become the “plastic soul” champion in his own words. Legend has it that Tony Visconti, who was then Bowie’s producer, and his associates stayed at Sigma’s mixing desk. As before the Assyrian text. It was a customized mixer, and Visconti and the company had no choice but to hire a home technician.
Thom Bell, one of the three architects of Philadelphia Sound, died on December 22 at the age of 79.
key year
Bell was born in Kingston, Jamaica and immigrated to Philadelphia with his family at a young age. He has studied classical music since he was a child (his family was solid middle class) and got along with Kenny Gamble (remember that name) in the vocal group The Romeos. Trained as an arranger Chubby ControllerThe dynamo of the dance fever that gripped America in the early 1960s.
Two decisive events happened in 1968. On the one hand, Bell produced and wrote nearly all of “La la I love you”, the first of three LPs he made for himself. delphonicsThe orchestral arrangements and the sounds of the trio unite in an irresistible molasses. On the other hand, the aforementioned Gamble and Leon Huff (the third ideologue of the Philadelphia sound) produced and wrote almost the entirety of Jerry Butler’s ‘The Ice Man cometh’, which is also rich in orchestration. Bell was also present as a composer and arranger. The intoxicating symphonic part of the impending Philadelphia soul was born. It just needed to add a guilty rhythmic foundation.
first hip hop
Gamble and Huff took care of this with the creation of the record label in 1971. Philadelphia International Records (PIR). Acronym for Moms, Dads, Sisters, out-door brothers and in-door Sons of a Bitch, with whom Bell collaborated on songs and arrangements for the O’Jays, Billy Paul, or MFSB. At any rate, it’s the killer homegroup found at Sigma studios. PIR preformed disco music and tracks like MFSB’s “Love is the message” were favorites at New York “block parties” where hip hop was hammered.
Bell has built two tremendous careers outside of PIR (but not Sigma studios) and in partnership with songwriter Linda Creed: That of The Stylistics and The SpinnersThe outfits that superstars made in the mid-’70s, Bell and Creed knew how to melt the cast. In Bell’s productions, they played the oboe, horn, celesta, and harpsichord, the antithesis of the bare minimum of rudeness that had hitherto been demanded of the soul and respected even by Motown.
His idol was Burt Bacharach, another classically trained pop master, who produced the 1975 album ‘Track of the cat’ with the composer’s great performer, Dionne Warwick.
Bell was inducted into the Songwriters Hall of Fame in 2006 and the Musicians Hall of Fame and Museum in 2016.
Source: Informacion
Brandon Hall is an author at “Social Bites”. He is a cultural aficionado who writes about the latest news and developments in the world of art, literature, music, and more. With a passion for the arts and a deep understanding of cultural trends, Brandon provides engaging and thought-provoking articles that keep his readers informed and up-to-date on the latest happenings in the cultural world.