Former Spartak goalkeeper Ruslan Nigmatullin has taken aim at forward Quincy Promes after the Dutchman released a new music video, a stance conveyed to Sports Express. Nigmatullin’s critique centers on timing and purpose, arguing that public posts should align with on-field responsibilities rather than off-field entertainment.
According to Nigmatullin, sharing music videos during a period of fluctuating team results comes across as a misstep in team communications and marketing. He suggested that an active player should direct attention to duties on the pitch, rather than chasing attention through social media or multimedia releases. The stance reflects a broader expectation among fans and former players that performance and professional focus should take precedence over side projects during a competitive season.
Promes, known for his on-field contributions, has a history with Spartak that dates back to February 2021, marking a return to the club after previously playing for the Red and Whites from 2014 through 2018. His time with Spartak coincided with a domestic title, as he helped the team secure the championship in the 2016/17 campaign. This season he has appeared in seven competitive matches, recording three goals and four assists, underscoring his continued importance to the squad. Market observers have valued Promes at 11 million euros, and his contract with Spartak runs through the summer of 2024. These numbers reflect his standing in the transfer market and his role within the team as it pursues results in multiple competitions.
Nigmatullin also expressed appreciation for the Russian Cup competition system, highlighting its structure and the way it integrates into the broader football calendar in Russia. His reflections provide a perspective from a former goalkeeper who has observed the development of the Cup and its influence on clubs striving for domestic success.
The broader conversation around Promes continues to be shaped by his mixed record this season and the expectations placed on players who rejoin big clubs after spells abroad. While critics weigh the impact of personal projects on professional performance, supporters emphasize the market value and versatility he brings to Spartak. The club, meanwhile, monitors results across league and cup contests, balancing the needs of a squad that includes international players capable of delivering decisive moments on both the scoreboard and in creative play. In this context, Promes remains a focal point for fans who remember his earlier contributions and for opponents who track his pace, flair, and ability to influence games in critical moments.
In reviewing the evolving narrative around Promes, it is important to consider the delicate balance players must strike between personal ventures and team duties. The discussion initiated by Nigmatullin reflects a longstanding debate in football culture about the visibility of athletes outside competition and its effect on perception, morale, and performance. As Spartak continues their campaign, all eyes will be on how Promes and the rest of the squad translate their talents into consistent results on matchday, while the club seeks to maintain unity and focus amid a crowded calendar and the pressures of a demanding season. At the end of the day, the sport’s supporters value players who contribute positively on the pitch, stay disciplined in training, and demonstrate leadership through reliable, high-quality performances across competitions.