While scrolling through the local press, stories that make up the intrahistorical history of universal human history are encountered. Surplus is not free. We think that the diversity that feeds the files and newspaper archives comes from the determinations of great people and the consensus of institutions, councils of ministers and boards of directors, boards of directors and other state bodies. rice is plentiful, sometimes forgetting that under these corporate bushes, cornered by the official narrative, an underground and parallel world lurks in which extraordinary events and horrific events take place. Metaverse is late, there are other worlds but as paranormal fans say they are inside this world.
In one of the newspapers to which I owe most of what I learned, and in a newspaper that I do not know whether it has been applied over the years, I read a news that will not overthrow governments these days, that will not decide. Elections won’t get in the way of pre-election deals or wage increases from the CPI, unravel the unsolved mysteries of the State sewer, or claw at the sports competition they dream of. It cannot even be said that it concerns the general interests of the citizen. There is nothing paranormal in the news, but life also goes under the official dump. Daughter of a variety artist from the Mediterranean coast inherited the show and his mother’s stage name, the latter has been debated by few copycats over the years and its use has been the subject of a long and tedious lawsuit, something similar to what happened when Roger Waters and three other members of the band went to pay at the head of Pink Floyd. 80 and the first lost the rights to perform under his own band name in the 1960s.
Unlike Pink Floyd, he did not make a living by singing or composing conceptual pieces such as “Sticky Vicky” (Spanish translation “Vicky Pegajosa”), “La cara oculta de la Luna”. As an artist, he wasn’t used to hiding anything, and now you’ll see why. Alongside Vicky Leyton—and under a pseudonym—successfully advertised in bars and pubs in the English district of Benidorm for thirty years, she was a magician, was dedicated to magic the usual tricks of a juggler, those tricks and tricks that leave one with the ‘do it this way’ face and have no explanation other than the talent and speed of the illusionist. This isn’t exactly the kind of magic popularized by Houdini or practiced by the more native Juan Tamariz. Vicky did magic tricks with her vagina and was advertised as ‘Magic vagina’ in brochures that tourists from Bristol, Middlesbrough or any corner of England pick up from the delivery man on duty on any of the streets that make up that picturesque neighbourhood.
It is well known that in Vicky Leyton’s erotic illusion show ‘Sticky Vicky’ sex often comes out more than what goes into a vagina, except for the vagina, which confused the audience as the sexes appeared with different colored scarves to cover a vagina. Ping-pong balls would pop up or soda bottles would open, like someone offering gin and tonic.
This may all sound silly to you, but that was the feat of Vicky, her name and a native of Tenerife by birth. Maria Victoria Aragües imitators emerged, one of which was originally called María Rosa, commercially usurping the artistic name ‘Sticky Vicky’. They were brought to trial first in a civil court and then at the Valencia Court, which settled with María Victoria, who was 66 at the time, in July 2009. He was luckier than Roger Waters. Vicky retired forever in 2016 at the age of 73.
The stage names and intellectual property of a show are inherited, like real estate or a distant uncle’s fortune. Now María Victoria’s daughter, who has beaten cancer and started showing the first symptoms of Alzheimer’s, will be María Gadea, the only person who can use the name Sticky Vicky to continue her mother’s tradition of magic. You see, history too is built by what goes on under the thick guise of great institutions.