I’m sick of moral revisionism

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Literature, cinema, painting, music. Thus, each of the arts. None can escape this sudden surge of moral revisionism, but the unequivocal truth is that the debate about mixing artistic manifestations with a guise of political correctness is sadly archaic and resurfaces at the most unexpected moment. The latest scapegoat for the prevailing global good, the changes made by the editors and directors of his legacy to his original stories are embodied by creative writer Roald Dahl, who is picking up water on the planetary level. Arguing for a more inclusive message, there are hundreds of changes in their texts, from “Matilda” to “Charlie and the Chocolate Factory” to “The Witches”, many of which focus on violence, mental and psychological violence. health, weight, race or gender. Frankly, the supporters of this heinous enterprise ignored Dahl’s own opinion because he had been underground for thirty-three years. Therefore, lawyers doubt (we doubt) the legality of an operation that, if it took place in Spain, would not succeed thanks to the right to integrity of works recognized by the Intellectual Property Law.

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