Delacroix was the son of a politician and a romantic father, and when Parisians barricaded themselves against Charles X’s suppression of Parliament. The painter composed a magnificent painting with the Notre-Dâme towers in the background., the fallen bodies, the shirtless and armed bourgeois, and the barefooted and low-cut breasted flag, held by a beautiful woman in the wind, symbolizing freedom and guiding people. These aesthetic qualities are not conferred by videos of cell phones or television cameras, even as the riots take place in the megalomaniacal clearing of the lines in Brasilia.
You see the Bolsonaro attack and you don’t feel like it was before the romantic painting because they don’t fill Oscar Niemeyer’s spatial spaces and are in that disorder and violence towards windows that are transparent and fragile in nature. sees a relentless commitment to not representing the best of the genre. Unless it’s choreographed like in the movies and done by dancers, there’s no grace in people pushing and attacking. Violence against things in Brasilia offices It’s very similar to the primate cage at Amsterdam Zoo.
Uniformed with the macaw yellow of the Brazilian flag, or dressed in the carnivalesque particularity of those who attacked the Washington Capitol, be the ants of the anthill bolsonaro or trumpistas When they put their feet on the table, turn the stage into a slide, or walk on the backs of chairs, the primatologist turns to the audience in a stampede due to the fire in the savannah.
The idea that populism is demonstrated by aggression, but freedom does not drive populism, goes global. The official discourse emphasizes that populism solves big problems with simple solutions. The technocracy that brought us here from the strictest institutionalism deliberately presented growing social problems with complex solutions. It is necessary to hear the discourse of the intermediate space, which should not be confused with centrism.