Olivia Wilde and Harry Styles bring sickness to Mostra with ‘Don’t worry dear’

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There’s a certain joke a movie says ‘Don’t worry honey’ It has caused a lot of media concern since its production began. When did the soap opera start? Shia LaBeouf advertised as co-star, but abruptly left the project shortly after; Olivia Wildethe film’s director and a member of the cast recently revealed in ‘Variety’ magazine that he saw the decision to fire him for his “warlike behavior”, but LaBeouf counterattacked: he wasn’t fired, he was left on his own, Will said, already in test mode, Wilde’s only He posted a video message in which he not only begged her to stay, but also made a disparaging allusion to the movie’s protagonist. Florence Pugh. Additionally, during filming, the director began an emotional affair with the idolized singer and icon of pretty much everything. Harry StylesLaBeouf’s replacement, and while some rumors suggested Pugh was uncomfortable with the situation, it was the gap between his salary and Styles’s that angered him, according to others. This Monday morning, it was announced that Pugh would not attend the press conference after his presentation.Don’t worry honey’ In Venice, but yes to the premiere; Despite what some fear, the red carpet reunion is in part because it didn’t end with fights. styles Too busy shaking off the fans.

“The movie talks about very current issues,” Wilde told reporters shortly after throwing off his compromising questions like dandruff on a sweater. It is located in a 1950s housing estate that resembles a ‘Mad Men’ theme park. young couple Her seemingly idyllic life falls apart when she becomes suspicious about her mysterious job. Elaborating your argument further would increase the risk of ‘spoilers’, so it should suffice to make it clear that ‘Don’t worry dear’ is intended. critique of both the treatment of women by men and the model of life promoted by the consumer societyIt bears similarities to ‘The Truman Show’, ‘The Stepford Wives’, ‘The Matrix’, ‘Origin’, ‘Let Me Out’, ‘The Forest’, ‘The Twilight Zone’ and any other documentary series about sects. those crowded streaming platforms.

The obvious lack of originality is not the only result of this abundance and diversity of models. Turning this collection of references into a narrative universe equipped with internal logic and coherent operating rules would have required much more painstaking screenplay work than ‘Don’t worry, dear’ proved. Land vacancies are larger than some countries. The plot is so fragile that it collapses like a stone when you think about it. ikea furniture with missing parts. And, while it will undoubtedly be fun for those who can suspend their neuronal activity while watching it, it’s not as much as its “making” in any case.

temporary favorite

The film marking the return of the Londoner Martin McDonagh To Mostra – already competed and awarded with ‘Three ads in Skirts’ (2017) – not only the best of the contenders for the Golden Lion ever presented, but probably the best. his career as a filmmaker. ‘Banbanes at Inisherin’ Written by the most blessed playwright McDonagh himself, it is based on Irish folklore and a play rooted in the land of myth and parable. portrayed by two inhabitants of a small Irish island, One embodied by Colin Farrell and the other by Brendan Gleeson; They were close friends all their lives but Gleeson decided he didn’t want anything more to do with Farrell because it’s such a simple and boring man, a waste of time for him who is a musician and wants to break up. an artistic legacy.

Colin Farrell, Brendan Gleeson and Martin McDonagh before presenting ‘Banbanes in Inisherin’ in Venice. EFE

Watching this conflict escalate into flames, and a handful of strewn human fingers on the ground, showcases the same vitriol that permeates McDonagh’s entire cinematographic work, but completely devoid of deliberate exhibitionism and excessive violence. some of his previous movies. It is certainly a simple work, with not a single scene or dramatic gesture left, but still filled with substance things to make us think about – the importance of friendship and the dangers of not taking it seriously, a kind of typically masculine arrogance, the value of kindness over intelligence – and its ability to make us a giant lump in the throat.

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