The Moon opens with a new animated foray into the already familiar multiverse where Spider-Man has cast many Marvel characters, and concludes with the fifth adventure of Indiana Jones, perhaps one of the most anticipated films of the season. Spielberg didn’t direct but acted Harrison Ford. The final installment of Paul Schrader’s redemption trilogy, his new fantasy. wes anderson With an upscale cast and another “blockbuster” superhero, this time from the stunning Flash DC Comics.
‘Spider-man: Crossing the Multiverse’ by Joaquim Dos Santos, Kemp Powers and Justin Thompson (released June 2)
The sequel to ‘Spider-Man: A New Universe’ (2018), a film that breaks the mold both thematically and stylistically. The hero is once again the spider-man from the parallel universe, student Miles Morales. An epic of its own in the wonderful Spider-man saga set within the Marvel movie saga. uninterrupted
‘There are no bears’ by Jafar Pahani (June 2)
The Iranian director has spent the past few months in jail for breaking his government’s repressive laws. Part fiction, part document, this film is a definitive political claim that we see him directing a film from afar, from a small town where he shuts himself down and finds himself in a secular conflict.
Els encantats, by Elena Trape (June 2)
It is the third feature film by Catalan director Elena Trapé, who made her debut with ‘Blog’ (2010) and produced ‘Las distancias’ eight years later. It chronicles the difficult daily life of a young mother (Laia Costa), who is now trying to face a new life without her son, who has recently separated from her husband and is placed in her old family home in a town in the Pyrenees.
“The Master Gardener”, by Paul Schrader (June 9)
Paul Schrader has always spoken of guilt and redemption as a screenwriter in ‘The Taxi Driver’, as a director in ‘The American Gigolo’ or ‘The Possibility of Escape’. With “The Master Gardener,” the so-called redemption trilogy, formally and thematically linked to “The Reverend” and “The Card Counter”, comes to an end: the violent past haunts its characters.
‘Transformers: Rise of the Beasts’ by Steven Caple Jr. (June 9)
Little is left of the surprise that the first film in the ‘Transformers’ saga, one of Michael Bay’s personal achievements, evoked fifteen years ago. He’s here only as a producer: The movie follows the ‘the more the better’ motto to the end, so the Decepticons and Autobots are joined by the Predacons and Terrorcons.
‘An easy target’, by Jean-Paul Salomé (June 9)
Isabelle Huppert is the absolute star of the movie, there is hardly a scene where she doesn’t appear. Play as a real character, the union leader of an international company dedicated to nuclear energy. She was attacked and tortured, but the system turned against her to show that it was all the result of her imagination.
Wes Anderson’s ‘asteroid city’ (June 16)
Knowing how to seduce Hollywood stars like only a few independent writers, Anderson can bring together Scarlett Johansson, Tom Hanks, Margot Robbie, Tilda Swinton, Liev Schreiber, Adrian Brody, Bryan Cranston, Willem Dafoe, Edward Norton, Steve in a single movie. Carell, Jeff Goldblum and Matt Dillon. It’s a festival.
‘Flash’ by Andy Muschietti (June 16)
The new chapter of the DC extended universe is an epic that hasn’t just begun. Flash’s extraordinary speed allows him to travel through time and change the past, but he is trapped in a new timeline. Ezra Miller reprises the lead role and is directed by Andy Muschietti, the Argentine signature of the horror films ‘Mom’ and ‘It’.
“The fantastic case of the Golem” by Burnin’ Barnacles (June 16)
Two friends on the terrace of someone’s house. The host climbs onto the ledge and falls on the hood of a car and is immediately smashed. This is the starting point for the final fantasy-comedy-mystery of Burnin’ Barnacles, which also flutters in the legend of the Golem, the clay creature created to protect the Jewish people.
‘Indiana Jones and the Dial of Fate’ by James Mangold (June 30)
Digitally retouched, but still ready to don Indy’s hat and jacket and lash out at opponents. This is how Harrison Ford comes into being, who is called upon to play Indiana Jones for the fifth time and once again faces off against the Nazi criminal.
A nostalgic farewell from the director of Immortal Wolverine and Logan.