Let no one think that there is only one way to count the party. The way they describe the flaws in À Punt is one of them. For my taste, it’s superficial, repetitive, and the result of the present: the unpretentious story with gay-friendly touches and the triumph of the awakened. On the private channel La 8 i.e. Catholic, on the contrary, we see Julio Tormo telling the story in Spanish.
Although they do not trust appearances. Finally, extremes meet. In 1978 and 1979 we were able to see how Julio Tormo became a real criminal in the fallas environment. With Joan Monleón. Take it back for those who missed it, as the documentary gets overlooked like everything that really matters.
It’s undeniable that Tormo, who has his own show (La hora de Julio Tormo) on Sunday afternoons, can write some interesting memoirs that tell firsthand how he lived intensely from a privileged front row. The history of the regional capital from seventy years to this day. Since we’re talking about the Sunday program, it’s inevitable to mention Mayrén Beneyto, her colleague, Rita Barberá’s right-hand man and former manager of Palau de la Música. The complicity of Julio and Mayrén in each program is worth seeing. Appearing in this show, Valencia is as original as Joan Ribó’s. This is what both surprises me and captivates Cap i Casal: the extremes it can put together. The opposite of Alicante, where eighty equals one hundred.