just a few weeks after becoming favorite movie How many were presented at the Sundance Festival, ‘Past Lives’ is now – as it turns out – the rightful favourite. golden bear This is next Saturday.
Presented in the competition today, playwright Celine Song’s feature film debut In the form of a triptych, it depicts the platonic romance of Nora (Greta Lee) and Hae Sung (Teo Yoo) over two decades from childhood to adulthood and across two continents.
And meanwhile he talks about many things, among them resign for all missed opportunities the need to appreciate the opportunities that come with growth, rather than leaving one life behind and replacing it with another forever, or regretting what we’ve done; In any case, the Song tells us that nothing is lost, because the past is permanently dedicated to whispering to the present. It’s hard to remember another recent film that is as irrelevant as ‘Past Lives’ to delve into the melodrama, and yet so accurate when it comes to capturing the audience’s heart in a punch.
The delicacy and poignancy of ‘Past Lives’, for which she competed for the second time at this festival thanks to German Margarethe von Trotta, is an important part of the missing features in ‘Journey to the Desert’. recreation circuitous emotional affairWhat Austrian poet Ingeborg Bachmann pursues with playwright Max Frisch is not only exaggerating situations and interpretations to the point of improbability in search of the most obvious drama; his rudeness, worse yet, finally betrays his hero.
Trotta intends to commit a tribute to the heroine’s feminist impulse However, in large part due to his attempt to portray Frisch as a monstrous comic book thug, and to portray the relationship as merely a succession of macho microaggressions, he begins to portray him as too passive a patient to send his pathetic aggressor mindlessly.
The third of the films nominated for the Berlin award list presented today, unlike the other two, was directed by a director, not by a woman. ‘Disco Boy’ is by Italian Giacomo Abbruzzese, but while watching it, it is inevitable to remember French Claire Denis’s cinema with the way it reflects the terrible legacy of French colonialism, its visual mastery and its direction of sentimentality. referring to the human body and its loose relation to narrative traditions.
Actuallymodel’s similarities go beyond what we understand as a tribute to enter calco territory. Posts to be copied, in any case the important thing is to do it from the right sources and above all do it well. ‘Disco Boy’ ticks both boxes.