‘The Witcher: The Origin of Blood’: that’s not how a permanent universe is built

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The Witcher: Origin of Blood ★★

Creators: Declan de Barra and Lauren Schmidt Hissrich

Distribution: Michelle Yeoh, Lenny Henry, Sophia Brown, Nathaniel Curtis

Countries: United States and Poland

Duration: 50 minutes approx. (4 episodes)

Year: 2022

Gender: fantasy

Premiere: 25 December 2022 (Netflix)

Each new adaptation of the ‘The Witcher’ series invites you to consider: The first season of the mother series was a mirage. And no, the magic will not repeat itself, neither self-teasing, nor narrative power of images, nor preconceived lust. for not repeating Role in the third season henry cavil as Geralt of RiviaThe tough sorceress turned into the protector of Princess Ciri despite herself (she is also a great freya allan). While Cavill won’t be returning to Superman immediately, Liam Hemsworth will continue to replace him, in a change that lowers his overall average charisma.

Before we face it, whatever it may be, we have to face what ‘The Witcher: The Origin of Blood’ and ‘The House of the Dragon’ and ‘The Rings of Power’ are to other high fantasies for the saga based on Sapkowski. franchises: a set of prequels set long ago, created with the intention of bridging supposed gaps and addressing the finer points in the exploration of a vast folklore. It has even more in common with the Tolkien series: They repeat the actor. lenny henry (hairy Zadok there, chief druid Balor here) or composer Bear McCrearyagain demonstrating a melodic intuition that is evidence of curses.

Following the spirit of the first series, ‘The Origin of Blood’ is presented as a tribute to the stories, the act of telling them. (And superficially, as a reflection of the political power of being able to control a story). The entire narrative is in the timeline of ‘The Witcher’, the bard Jaskier (joey batey) and the distinctive narrator Seanchaí (Minnie Driver), time and space traveler looking for stories to be resurrected when the world (or a world) demands it.

As the enraged Scoia’tael elves need inspiration, we begin to hear the story of seven different warriors who banded together to fight the Golden Empire: Eternal Return. “Seven Samurai”, now with the Sapkowski Continent as the landscape. As a last resort, It’s about learning how they brought humans and monsters into the world through the famous Confluence of the Spheres, and how they created the first prototype of a wizard..

This classic story of group formation begins when members of rival clans come together due to an unexpected war: Lark (sophia brown), a former bodyguard of the Pryshian royal family and later a traveling bard, of the Raven Clan and Fjall of the Hound Clan (Laurence O’Faarin), expelled from his family for sleeping with Princess Merwyn (mirren mack). Scian (michelle yeo, which ended its wonderful 2022 with a disappointment), the last of the nomadic Ghost Tribe; Sibling Death (Huw Novelli), a warrior with a troubled past; twin magicians Zacaré (Lizzie Annis) and Syndril (Zach Wyatt) and the Meldof dwarf (Francesca Mills), always accompanied by a hammer named Gwen.

Seven heroes from such diverse backgrounds and their historical milestones are not insignificant material for a series consisting of only four episodes; At first it would be six. And in the process of putting it all together, the team led by delan barra (He’s already a screenwriter and singer in ‘The Witcher’!) he bets on knowledge (on) rather than action or emotion. The ‘origin of blood’ has something unnecessary but also confusing fan ‘wiki’ added to images. And when the moment of truth comes, everything seems rushed and unfinished. You can’t build a permanent universe that way.

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