Katia and Maurice met in college in the early seventies. He was a geochemist and he was a geologist. they both had one passion, volcanoes. They wanted to study them, but they also wanted to feel them, to be closer to them, to experience, as they say, the ecstasy and almost cosmic loneliness of their explosions. They got so close they died in an explosionbut before leaving for posterity images of all his raids where beauty and also the power of destruction are appreciated It comes from the depths of the earth. Lava rivers, magma, incandescent reflections, volcanic rocks, but also ruined towns, tsunamis, evacuations and death.
Director Sara Dosa met the story of Katia and Maurice Krafft while working on her previous work ‘The Seer and the Unseen’ in Iceland. There he found some files about them and began pulling the strings until he had compiled over 200 hours of material, recordings, images, photographs, in which the couple imparted all their passion and knowledge while spreading volcanology. It’s a simple and at the same time impressive way, definitely considering the kamikaze spirit. “As I saw all the footage that Katia and Maurice recorded throughout their professional careers, I fell in love with them. They had a unique relationship and the way they understood life was extraordinary because they were scientists, but they were also true adventurers“, tells the director El Periódico.
weird love triangle
Dosa was interested in focusing on her three main characters and the relationships formed between them: Katia, Maurice and the volcanoes. A strange love triangle. there are many reasons Not ‘Love Fever’ documentary to use, even with the National Geographic seal. Creative use of images through found images great movie piecewith elements of science fiction, adventure films, ‘fou’ love, formal experimentation, as well as philosophical reflection and poetry.
And from the start of the movie, Miranda July’s voice will take us deeper into the universe of colliding tectonic plates, guiding us delicately through Katia and Maurice’s thoughts, whispering their secrets and signaling them. Exciting life routes as you try to uncover some incomprehensible secrets of life and love. “I’ve always felt very close to Miranda July’s work because we both explore weirdness. She’s very observant, can capture the closeness of her characters, and there’s always something weird. existential touch in his works. I thought that his voice conveyed all the layers of the film and gave it precision,” continues the director.
Sara Dosa wanted to make a film as special as her own heroes, who were pioneers in their field, capturing never-before-seen images of the volcano. Therefore, she played with all the material at her disposal to compose a kind of composition. symphony from another planetperhaps Mars is due to the constant presence of the color red.
worldwide
The film takes us from Etna and Estroboli in Italy to Iceland; from Nyirangongo in Congo to Krakatoa and Galungung in Indonesia; From Mount Santa Helena and Nevado del Ruiz in Colombia to Unzen in Japan, where they lost their lives. An exciting itinerary filled with magnetic images that teach us the constructive and destructive power of the earth. “They devoted some of their lives to researching the gray volcanoes they called ‘killer’ and had to face the natural disasters that had turned them upside down. Therefore, understanding volcanoes was essential to saving lives.”
Dosa visually looks at the avant-garde style that the Nouvelle Vague directors pressed: angles, sources, plans, author seal. The director quotes Agnès Varda, François Truffaut, Jean-Luc Godard, and also Chris Marker. In addition to the cinematographic effects, literary references are also gaining great importance. “I was immersed in poetry while writing the script, especially Rainer Maria Rilke, because she wrote about loneliness and enthusiasm, in this case the feeling of transcendence found in both the physical and material worlds. [los volcanes] like in love”.
Weather: winning music
The music of the Air band is also a key element when it comes to providing the proposal with a liquid and volatile atmosphere, of course a little Martian and cosmic, as if Katia and Maurice were some kind of space explorers. “I was sure from the beginning that I wanted to give him a chance. retrofuturistic touch should have been present for the movie and on this soundtrack. We thought about who could write the music and came to the conclusion that Air was the best fit. I spoke to Nicolas Godin and everything rattled because he remembers Katia and Maurice very well from TV, because they became media stars. So he admitted to me that he had a huge influence on him, so everything fell into place. Air’s music and Miranda July’s voice add another dimension because the images found may be limited, but what you’re transferring through isn’t.”
Source: Informacion
