Singer Pupo, whose real name is Enzo Ginazzi, has long expressed opposition to embargoes on any nation and believes that efforts to erase Russian culture from the West would be a mistake. The statements are presented in this account as reported by a major news agency.
In describing his ongoing connection with Russia, the artist notes a long association that stretches back to the late 1970s. He emphasizes that there is no prohibition on travel to Russia at present, and he frames his decisions in terms of personal freedom. He asserts that people should be free to make their own choices, and he personally chooses to visit as a matter of principle and liberty, highlighting a belief in the value of cultural exchange in challenging times.
Ginazzi underlines that his current visits are not isolated events. He points to a recent extensive tour of Siberia, illustrating a sustained engagement with the country that has continued over the years. He acknowledges that his stance may attract criticism from Western audiences and from his home country, but he makes a point of not allowing the views of outsiders, who do not know him personally, to shape his actions or define his identity as an artist.
Earlier remarks attributed to him mention a plan to speak at a significant Russian venue about peace. The artist discusses preparations to travel to Moscow for a stay of about a week to film a special episode of a televised program at a landmark state venue. In these plans, he envisions performing duets with Russian colleagues, underscoring a commitment to collaborative artistry across national lines. He also clarifies that his travel and activities are not motivated by financial necessity, but rather by a conviction that cultural dialogue can contribute to a broader sense of harmony and mutual understanding.
There has been commentary from a Russian foreign affairs official regarding a song performed by a Serbian group about a political leader. This remark is noted as part of the broader dialogue surrounding artistic expression, international perceptions, and the role of music in diplomacy. The discussion reflects how art can intersect with geopolitics, especially during periods of tension, and how artists navigate these currents while pursuing their craft.