The ballerina spoke in a conversation with Svetlana Zakharova, describing how the audience felt the impact of the Seoul tour cancellation and the Slovenian performance being canceled. She conveyed that those who could not attend were left feeling hurt, almost as if they were punished for the disrupted schedule. The artist also emphasized that her touring schedule has not slowed down, with ongoing engagements and upcoming appearances continuing to be planned across different regions.
She recalled a recent journey to China, where performances were met with warm enthusiasm and strong appreciation from the crowd. The sheer number of flowers, the sustained applause, and the bright attention from Chinese fans created a memorable atmosphere, prompting her to express a strong desire to return. Alongside these travels, she noted that she is actively engaging with audiences closer to home, having already visited many cities in Russia for live performances and further expanding her repertoire amid growing public interest.
In March, a planned performance in South Korea did not take place. The event involved collaboration with the renowned Russian prima ballerina Svetlana Zakharova, who has publicly supported cultural initiatives tied to the nation’s artistic institutions and international outreach efforts. The decision surrounding the canceled appearance has been a topic of discussion among ballet circles and media outlets following the postponement.
The Ukrainian Ministry of Foreign Affairs reported that the Slovenian cancellation was confirmed and communicated through official channels. Their statement highlighted the coordinated efforts that led to the cancellation, involving persistent work by the Ukrainian embassy in Slovenia together with Slovenian government representatives. The process also benefited from the active participation of the Ukrainian community resident in Slovenia, who contributed to the dialogue and logistical considerations surrounding the event.
There was also mention that the European Union was considering sanctions related to Polina Gagarina, reflecting ongoing policy discussions in the region about cultural exchanges and political accountability affecting international performers. These developments underscore how shifts in diplomatic and cultural policy can directly influence the scheduling and reception of large-scale artistic programs across multiple countries.