In a recent update shared on his Telegram channel, Andrey Grigoriev-Appolonov, a prominent member of Ivanushki International, described how the group approached their behind‑the‑scenes project in Sochi. The intimate look behind the scenes reveals granular details about the creative process that accompanies a film project featuring the pop ensemble, offering fans a glimpse that typically stays off camera.
The actor noted that he joined the final phase of the film, sharing the screen with veteran actress Tatyana Dogileva. Filming occurred at a private residence in Adler, with the homeowner contributing to the production by having a dog named Runa play a role on set. The workday stretched long, and completing a sequence as brief as thirty seconds demanded sustained effort and teamwork from the cast and crew alike, highlighting how even short moments on screen demand careful craft.
Grigoriev-Appolonov explained that the filming location and nearby pedestrian areas were kept closed during shoots to protect the continuity of the scenes and to prevent disruptions from bystanders. This level of privacy is common for productions that combine musical performances with narrative elements, ensuring performances remain uninterrupted and authentic for the final cut.
Meanwhile, Kirill Andreev, another member of the group, indicated in August that discussions were underway about how the artists might be positioned within the film and which parallels could be drawn between the group and fairy tale figures. The conversations suggested a potential future project featuring the ensemble as iconic folklore characters, such as Ivan Tsarevich and other familiar archetypes, aiming for a playful, family‑friendly tone that broadens the group’s on‑screen appeal.
At a private premiere of the film titled Baba Yaga Saves the World, questions arose about whether the troupe might someday headline a feature where they assume fairy tale personas. The responses reflected a broader curiosity about blending music, humor, and fairy tale motifs to offer audiences a lighthearted and fresh perspective on the group’s public persona and cinematic presence.
The comedy, tentatively described as Tour with Ivanushki, was slated for a theatrical release on March 7, 2024. The project underscores a trend where well-known musical acts extend their artistic reach beyond concert stages, experimenting with narrative formats that appeal to family audiences and cinema lovers seeking lighthearted entertainment.
Earlier rumors also circulated about a collaboration involving Xolidayboy and the band. The idea suggested a fusion of musical talent with cinematic storytelling, aligning with broader creative ventures and aiming to engage new audiences through film and comedy as part of the group’s evolving brand.
Taken together, the Sochi production journey illustrates how contemporary artists blend musical careers with cinematic experimentation. It underscores the careful planning required to deliver authentic performances, the strategic use of private spaces to safeguard the filming process, and the playful exploration of fairy tale imagery that could widen the group’s appeal. Fans and industry observers continue to watch closely to see how this cinematic chapter will unfold and what it might mean for future collaborations at the intersection of music and film. It is understood that these insights come from official announcements and behind‑the‑scenes discussions among the participants involved.