ALICANTE MAIN THEATER
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of the Edward Galan Y Peter Gomez
Address: Joshua Ormaetxe
Regardless of the adverse circumstances, in your 20s there are high levels of happiness and expectations that decrease over time, reaching a low point in the early 50s. Still, there are studies that say they tend to increase after this age.
It may be that, driven by sitcoms, the sitcom witnessed in Alicante’s Principle “The Happiness Curve” exposes the crisis of the 50s with the fragility of a man (in fact the weaker one). He left his wife to fulfill the desires he wanted to fulfill. Gabino is Diego.
He intends not to sell the house as this will mean certain loss of the house he wants to be with and he will feel the necessary stability again. Some scenes that were meant to be comedy as well as dramatic. The difficult couple relationships, the search for love, and conflict also come to light, as Antonio Vico, the director of Jesús Cisneros and Josu Ormaetxe’s play by Eduardo Galán and Pedro Gómez, led to a movie with the unforgettable Pedro. Reyes and Yolanda Arestegui, who intervened in some episodes with her pre-recorded voice. Three other well-known translators accompanying the hero also participated in the film.
Vico is a descendant of a famous actor saga in its long history who interfered with the legendary “Estudio 1” or the old “Sleep Stories” on television. The role of Gabino Diego, who saves distances, reminds us of the neurotic and psychoanalytic-obsessed tragicomic Woody Allen. Here’s the antihero who is a corseted idiot with his repetitive speaking style and earned a sales commitment with the trio’s components. Cisneros has an easier role.
The passages in each frame lead towards easy concessions, with some exceptions, and the final clever surprise comes after the generally unsettling moves that seduced the broad audience.