Annie Ernaux is a desire writer. To life, to sex, to family ties, to social welfare, to the existence of literature, that is, to love… that is… to… the desire to live again. The deep identification that millions of female readers have felt with their novels for decades has been well explained by Aloma Rodriguez, one of the Spanish writers who has most and best analyzed the trajectory of the recent Nobel Prize in Literature: “Ernaux’s books are special: set in a particular time and place. It tells an individual, intimate, and concrete story, allowing for definition, because it is common to the experiences it recounts and to that dry style”.
But I would add one more thing. Something, even generation. Something about why Annie Ernaux’s literature injects happiness into those who read itand again that it has to do with desire, or in other words, a commitment to life. Beyond the familiarity that his clinical use of the self gives us, and beyond the fact that it is the subjects on which conservatism has always attacked –most abortionbreast cancer then cheating maternitycrystalline and extremely slippery expression of one’s own sexuality— I think the reason why he is so important to younger readers, to many today’s readers, is because of the will to live he gave us.
In a society where “I can’t take it anymore” is so presentIn a world where mental health problems and the desire to kill ourselves constantly haunt us, Annie Ernaux assures us that if you have to live, it’s just being able to tell it. to write it. Writing and living as an act of rebellion. So thank you, Annie, for your role. We are still defeated by your will to live.
Source: Informacion
