From studying at El Escorial to succeeding at C Tangana: Pablopablo is the music revolution that burns academics

  • The son of Jorge Drexler and Ana Lann inherited the talent and discipline of his parents, the foundations on which he built his first LP.

  • He drinks from new trends that he wants not to discriminate between sexes: legend of time

Pablo. to dry It was repeated twice. Together. And lowercase. For pablopablo, this name is a kind of balloon in which his dream comes to life. There’s room for your emotions, your reflections, your battles, your hallucinations… without needing any validation. It is at its best. It shines not only with its own nature, but also with its personal longing. Despite his youth he is a tanned boy to the beat of the music. his parents, George Drexler Y Anne LannThey’ve wanted this since they were born.

He was born and raised surrounded by songs, and that kind of activated the creative chip that came as standard. “When you see two adults who are totally in love with what they do, you have no choice but to join in,” says the artist, who released herself for the first time with an album that was as shocking as it was together. .

Remember James Blake, Rosalia, Nick Drake and of course C Tangana. Actually, from Madrid It was she who gave him the final award. But let’s start at the very beginning: Pablo is from the town of San Lorenzo de El Escorial, where he began to develop his passion. There he studied at a very private school: he played the guitar or sang while learning mathematics or geography. “It was a community center of care and quality in a private centre. It was like hell: writing a pop song, singing lament Mozart,” he recalls.

That seed slowly sprouted. And it came from the ideas of a village boy a view beyond borders. For years he devoted himself to reading poetry, composing songs, searching for stories… Until he found the eight songs that make up his introduction letter today. “I always wanted to dedicate myself to it. Not just because I’m passionate about it, but because there’s nothing to stop that interest. Nobody told me what to do and what not to do.”

It is true that when he moved to England he enrolled for a double degree in Philosophy and Music. But he left months later: art ended up putting it forward. “My parents instilled a lot of discipline in me. They taught me to work with love. And even though they already had calluses, they always let me fly by myself,” she continues.be son of drexler it’s a privilege and a plate: on the one hand, it helped me gain perspective on the industry; and on the other hand, it put pressure on me to do it as well as him. That’s okay, a punk… because I’m not seen as the person I am, but as someone with prejudice.”

Her relationship with Pucho

When did the turning point come I met C Tangana. It was almost unexpected from a movie. After she and Jorge met at the Grammy Awards, they wanted to collaborate. So they decided to set up a session to create a song together. Luckily, the sound engineer failed and Pablo was asked to take charge of the microphones.

“I was excited to be a fan, but I had to do something to get him to notice me,” she says. So when Pucho went to smoke, he sat down at the piano and started playing. At that moment, his idol turned and encouraged him to continue. No more words were needed: they formed their first song that same afternoon. In the end, nothing happened.

Again, The union established between the two today became friendship.. “He gave me his number and from time to time I took the opportunity to send him some ideas. He almost didn’t answer. If something isn’t cool, it will. It is very easy to understand in that sense,” he explains. “He did it once and he asked me to be the creative consultant for his tour. I took the opportunity and was entering his universe. To the point of saying his parts Ed Maverick Y Omar apollo inside split my face Y You forgot.

Q. How did you manage to grow so fast?

r. It is true that contact with C Tangana was not gained by me, but later on things that depended on me emerged. I am proud to have been so touted and promoted in your company. It makes me happy that you trust me.

Q. What did you learn from him?

r. For Pucho, it is very important to understand every word of his songs. Let me tell you an anecdote: There was a time when I was going to release my LP and I decided to show it to him first to see what he thought. He said he liked it but didn’t understand anything I said. Although he was right, this pissed me off. This brought me back to the studio. Just having fun is not enough, I have to communicate.

“When they ask me if I love you. Please ask me. When I go to a wave rock I always turn to your love. In a clear murmur of water, spring sighs and those sapphire blue eyes stare at me”, Pablo sings on his first single. music set poetry. This leads to the question of whether the message in urban music has become more important over the decades.

“The stone doesn’t know what it is it’s hard to write a letter talking about sex in a nightclub. I think the reason why this genre is so underrated is that it is considered a lower class,” continues the artist, assuring that a certain genre still exists. classicism by the most academic world. “I don’t understand how there could be people who kidnapped Reggaeton. Too bad because she’s amazing. When you reject the trap or the trap auto tuningyou’re one of the rejecters legend of time. If that’s what you want, great. However, you will stay on the boring side of the story. The great thing is to accept the difference and start yourself”.

Q. Does the comparison scare you?

r. No real. If tags help people feel my stuff, go for it. Spaniard James Blake? I don’t feel like it, but come on. Doesn’t seem like a problem to me. After all, each will make their own connection with the songs.

Q. Not up to the task?

r. If I think about it, I panic. After all, you create art for the public to connect with. If you understand this, the rest is not important.

Pablo sings especially love songs. And to the confusion that this creates in people. It prefers to stay at this step for the time being. Maybe in time he will dare to touch on other discussions. “When it comes to dealing with what kinds of problems, I see the value of innocence and humility. It’s healthy to understand your own limitations,” he emphasizes. First of all, in an industry where there are emotional fluctuations. “I don’t know yet how to manage them. I went to therapy but I can’t deal with the bipolarity involved in culturing. Damn. There is no middle ground: either I am very happy or I am down. You’re obsessed with knowing if you’re okay.

Therefore, for him, success has nothing to do with anything big, log or global. But more so with the ability to move others: “Knowing that someone is listening to my songs on the bus and is feeling something. With that, I will have already won”.

Record other people’s conversations

Pablopablo likes to record other people’s speeches and turn them into songs. In fact, it is possible that what we have will eventually become one of them. We’ll see. He does this out of love for people, the street, and the truth. On his first debut he San Lorenzoa topic arising from a conversation between two ladies. “It fascinates me to hear old people talk about life these days. This incident was about two women arguing at a mall in Madrid while waiting for the bus. I used to like to get that line when I lived there, well I discovered very intense stories: you heard grandparents tell each other about their diagnosed illness or invite each other to family dinners”. This special technique is also seen in another of his compositions. And most likely not the last.

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Source: Informacion

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