I guess there are no kiosks in Elda anymore, no kiosks where we would wander around a corner or a square as if it were a small, isolated house to see magazines, novels and others. the products they sell. So, when I see one, I can’t help repeating that move like I was at the beach the other day. In turn, newspapers continue the tradition of publishing their collections of novels at low prices. I saw one of the Lemaître’s I hadn’t read there and thought it would be a good option for sand and sun. And I was not wrong.
Pierre Lemaître is a French novelist known for his police novels; the protagonist is Camille Verhoeven, a somewhat mature commander of the Paris Crime Brigade, who is very short as she is less than one and a half meters tall. Rosy & John (LGF, 2013; Penguin Randon House, 2022) is the fourth novel featuring this hero. Its name comes from the name of the Gilbert Becaud song (https://www.youtube.com/watch?v=4AWMz5JPDq8) and has nothing to do with it. And it was the novel I bought.
A novel of no more than 170 pages that I read as quickly as it was written once I started: fast-paced. I entered a story where there was no truce, with three episodes a day and countless sequences introduced up until the time things happened. Through a third-person narrator, a short and agile sentence, using the present as the narrative mode, I saw myself (even in a hammock by the sea) like an ordinary pedestrian on a street in Paris. where something will happen: “Decisive things happen in less than a tenth of a second” (p. 13). 17:00 A bombshell explodes where Lemaître tells me to adapt the characters’ point of view, because he shows me what each sees through the cinematographic technique of shooting the sequence, as well as who the artist is and how he participates in the spooky action. . At 17:10 I met Camille (p.23) with a Forty-five temper, because she always stays on the bad side (p.24). In these early sequences, I deduce that Lemaître already knows Barthes’ semiotics, for he is an expert at presenting every object and every sensation he describes with direct and clear messages, which seem to have a perfectly designed communicative value, a sign. Everything is perfectly measured.
I soon met Jean or John Garnier, 30, who had lost his job, his girlfriend, and his mother, Rosy, exactly that he was imprisoned for murdering his girlfriend and a relationship he would give his son for another novel. He turns up as the architect of the explosion at the police station where he planted seven bombs and threatens to explode if they don’t release their mother and give them new passports and flee to Australia. At that moment, the showdown between Camille and John begins to see how a situation like this could end, as I read with anxiety the story the story was told and left it on hold for only two hours of lunch and coffee. , continue reading under the umbrella.
The narration style stems from the author’s writing to be read on smartphones in the first place, so chapters cannot exceed three pages, which is what gives you time to read between two metro stations Paris. From there, there was only one step to give it the form of a standard novel, which Lemaître carried out with his mastery of narrative with some dramatic twists in the service of suspense, underlined with very prolific irony.
And why should you read this novel? It’s a perfect detective novel that I can’t take my eyes off of because nothing is superfluous and the author knows how to tell a story. And because it’s summer, and this novel suits the sand, the grass and the sun so well.
Source: Informacion
