During her long life between 1902 and 1992, Kay Boyle had the opportunity to turn her life into a work of art. The daughter of a wealthy Minnesota family, she was a protagonist in the development of the literary avant-garde in interwar Paris, condemned Nazism at its origins, and married Baron Joseph von Franckenstein as the hydra that would destroy Europe began to take shape. For the third time, the leader of the Austrian Resistance against Hitler led a group of writers who were natural replacements for the teachers of the Lost Generation, experiencing the hardships of McCarthyism while experiencing imprisonment and elite oblivion. She fought for the civil rights of African Americans and opposed military intervention in Vietnam. When she died in a California home, she, a mother of six and a newborn, had published more than forty books. Among them, he left at least one masterpiece: The Blind Horse; That’s thanks to publisher Muñeca Infinita, who has assembled an irresistible catalog with titles like The Black Dress and the Pearl Necklace by Helen Weinzweig and The Son by Gina Berriault. The novel that interests us today takes its place under the sun of labels with the most refined criteria on the stage.
The Blind Horse is a subtle and extremely clever variation on the father-mother-daughter triangle; It is a scheme supported by a wide variety of interpretations, whether behaviourist, psychoanalytic or structuralist. In this triangle of passion and love, determined by both blood ties and educational requirements, Boyle introduces an unexpected factor that will shape the magnificent four-way chess organized by the novel: A weakness that the father and mother experience as a personal resentment, and the daughter adopts as a kind of flag of independence. moment. Boyle uses his meditation on failure, the passage of time, and the conflict between parents and children around the forgiveness or sacrifice of this animal, articulating a narrative that captures the best of the literary revolution, thanks to the likes of Woolf, Joyce, or Faulkner. , to create a work of emotional intensity and capacity to shock that few writers can match. It can be said that Boyle managed to masterfully craft a canvas about dignity and honor as well as the end of our dreams, by making good use of financial resources and using materials and anecdotes appropriate to the genre of the story. Heroism, the treasure of the insulted. The result is a romance novel, read with the right mix, in the broadest sense of the term (love for the other, which is always animal; filial love; sexual love; love for the successive self-images we form throughout life). amazement and gratitude for literature designed and executed with elegance.
Source: Informacion
Brandon Hall is an author at “Social Bites”. He is a cultural aficionado who writes about the latest news and developments in the world of art, literature, music, and more. With a passion for the arts and a deep understanding of cultural trends, Brandon provides engaging and thought-provoking articles that keep his readers informed and up-to-date on the latest happenings in the cultural world.