Caciquism and feminism in ‘Los pazos de Ulloa’



From Emilia Brown sometimes. adapter: Edward

prince. Direction: Helena Allspice

saw it last November “Ulloa” at Alicante Arnichesa young free version inspired by “Ulloa’s cottages” (1886), The hood just seen in the Alicante coliseum, from this Emilia Pardo Bazán’s novelBased on the stage adaptation by Eduardo Galán and directed by Helena Pimenta (1993 National Theater Award).

It’s on the pulse, and the well-constructed plot revolves around a marquis in rural Galicia in 1880, with the abuse of greed and power in the face of vulnerability, ethics, and the need for love. time of the Spanish Restoration.

The priest addresses the public as the character of the writer. He sometimes tells and participates with remarkable heroism. Pere Ponce plays a good role. Keep accounts of the farm and try to guide the Marquis on the right path.

Contemporaryness is also perceived in the simplification of the pages of the novel, the stylized and versatile space, or the hereditary behaviors that somehow continue today. Mobbing against women is treated as servants and childbearers by the ruling class. Although the man’s condition was better, he could not escape the brutality either. And the secret feminism of the author and the countess.

Traces of grotesque are seen in the passages, especially in the cacique figure played by Marcial Álvarez, an actor who takes on arrogance very effectively. Francesc Galcerán manages three influential roles. In one, he plays the foreman and father of the Marquis’s mistress, Ariana Martínez, who is also an extrovert, one of the protagonist’s cousins. Cacique’s bastard son Perucho has no physical presence, but he is.

Esther Isla is her other cousin, who married and fell victim to her cousin, and is seeking an heir. It’s a reasonable business. The priest’s feelings towards the sprout. Or the exact function doctor David Huertas. Check out this novel and the series on RTVE Play based on “Mother Nature”, its continuity.

Source: Informacion

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