Neither the Holy Sunday nor the high price of tickets, the most expensive is 89 euros. tarantino this is tarantinoand the Barcelona Theater Colosseum He was almost completely stuffed to accept the director of ‘Inglourious Basterds’. On the stage is a low table, two chairs (one for the filmmaker, the other for the talk host Jordi Costa), and a glass of red wine (for Quentin). Tarantino entered the stage with the music of the seventies, reviving the anticipation and the sound of Iggy Pop’s ‘The Passenger’. like a rock star. He hadn’t opened his mouth yet, and people were standing and applauding him wildly.
Tarantino and hiscinema speculation‘, original book title’cinema meditations‘ the conversation turned to the question. divided into two parts, a pleasant conversation and reading of one of the chaptersundisputed at the end and with the projection of some scenes from two films of the period, ‘American Graffiti’ and ‘Dirty Harry’. The New Hollywood of the 70s. Tarantino has found a new hobby as a film critic or essayist. He announced that he would write a new book about 80s Hollywood, and in the third he would talk about films from other countries.
“Thank you for spending Easter Sunday with me,” he began to win the hearts of the audience, if one had not already won. “When I started writing this book, the idea was to talk about New Hollywood movies, but when I was 10, I realized I had to talk about watching these movies.” essay and autobiography It is also very well written and vividly narrated very well.
Tarantino has always been didactic. “After the Second World War, the cinematographies of other countries considered a more adult audience. This did not happen in Hollywood. The average American was not exposed to war in the same way. The movies were like Broadway musicals, extravagant, big-budget. Cinema was still something familiar”.
Time passed and relief began to be seen for a moment. “The counterculture has become the dominant culture”, used the filmmaker-writer with titles such as ‘Bonnie and Clyde’, ‘Graduate’, ‘In the Heat of the Night’ and ‘Dirty Dozen’. “But like all revolutions, when you win you have to lead.” And American movies grew.
Resentful Tarantino began to recount his personal experiences when he went to the movies as a child, although he sometimes loudly banged the microphone and laughed at some of Costa’s comments. One of the films that marked him was John Boorman’s ‘Liberation’.. “I didn’t know what sodomy was at the time, and I didn’t consider a character’s butt-fucking scene in this movie as a bad thing. I was nine years old”. Tarantino is the son of a certain era and “The movie that hurt me the most was ‘Bambi’.‘. This movie has ruined a lot of kids.”
Her mother and her best friend’s ex-boyfriend named Floyd showed up several times in the evening. The mother, separated from her stepfather, lived with little Quentin with two friends, one Mexican and the other African-American. Explaining that she dated many black men and loved athletes, Tarantino saw the first films of Jim Brown, one of the athletic heroes of the cinema.open exploitation‘. He described very graphically the experience of being in a Los Angeles room full of black audience members. It was the only white one. Brought to you by his mentor Floyd. Samuel L. Jackson’s character in ‘Jackie Brown’ was inspired by him.
He did not leave Spanish cinema either. He is a big fan of ‘The residence’ and ‘A Summer to Kill’.and “in my podcast” Video Archives used the soundtrack of the latter and its director, Antonio Isasi is the Spaniard Don Siegel”. He also assured ‘Bloody Bride’ by Vicente Aranda The best adaptation of the novel “Carmilla” and the loud ‘vampires lesbos‘ paying homage to the director, Jesus Franco.