Film opens Valencia movie channel with over 150 movies

online cinema platform, 150+ titles Thanks to an agreement with the Culture of the Generalitat, the already existing Valencian cinema Valencia Institute of Culture Deputy director of Audio-Visual and Cinematography, IVC, with the aim of “to start making visible and disseminating the current offer of Valencia audiovisual on platforms, as well as to promote the IVC-la Filmoteca Valenciana brand and promote our Cinematographic Documentation Center”, Francesc Felipe.

offered by IVC A free monthly subscription to the entire movie catalog for first 1000 people Those who register to the Cinematographic Documentation Center in person or electronically. This offer is limited to users residing in the Community of Valencia.

Online registration must be made via the form available on the Cinematographic Documentation Center’s website: The card, which recognizes them as users of the center, can be received in person or, if they wish, by ordinary mail.

nine episodes

The new channel of the movie is divided into nine thematic sections to make the content more accessible to its subscribers. Prior to the creation of the channel, all these movies were already part of the platform’s catalog. Thematic sections are as follows: Current fiction feature films, other fiction, documentaries, Valencian themed documentaries, cinema in the Valencia original version, animation, Valencian landscapes and short films.

Current Valencian fiction productions: consist of: 20 feature filmsin this section you can find the latest productions of Valencian cinema (2019-2022) awarded or selected by the festivals of Cannes, Berlin, San Sebastián, Málaga, Valladolid, Málaga, Mostra de València, Alicante or Sitges. .

This episode includes ‘Water’ by Elena Lopez Riera; ‘Vasil’ by Avelina Prat; ‘My Void and Me’ by Adrián Silvestre; ‘Knowing’ by Jordi Núñez; ‘Conclusions’ by Claudia Pinto Emperador; ‘Love’ by Julia Paz; ‘Lucas’ by Álex Montoya, ‘L’ofrena’ by Ventura Durall; “Things that stop dying” by Cristina Fernández Pintado and Miguel Llorens; “Talking woman Frederica Montseny” by Laura Mañá; ‘La mort de Guillem’ by Carlos Marqués-Marcet; ‘La pasajera’ by Fernando González Gómez and Raúl Cerezo; ‘La desvida’ by Agustín Rubio Alcover; ‘A woman with enormous wings’ by Pedro Pérez-Rosado; “La dona del segle” by Sílvia Quer; ‘Strings’ by José Luis Montesinos; “Far From Fire” by Javier Artigas; ‘Brave’ by Fernando Alonso y Frías; Eduardo Casanova’s ‘Skins’ and David Marqués’ ‘Unemployment club’.

The ‘Other Valencian fiction productions’ section includes feature films produced between 2019 and the early 21st century. This episode is ‘Last Days in Havana’ by Fernando Pérez; ‘Brava’ by Roser Aguilar; ‘Recreation Space’ by Michael Aguiló; ‘The Road’ by Miguel Ángel Toledo; ‘Habitus’ by Samuel Domingo; by “blockbuster” Tirso Calero; “Love is not what it used to be” by Gabi Ochoa; ‘The Man with the Butterfly’ by Maxi Valero; ‘Transcending Meaning’ by Iván Fernández Córdoba; ‘Urans’ Chema Garcia Ibarra; ‘Wilaya’ directed by Pedro Pérez Rosado; Sigfrid Monleón’s ‘Dutch Island’; “Where the scent of the sea does not reach” by Lilian Rosado González and “The legend of time” by Isaki Lacuesta.

Some directors have a presence multiple feature films. Alicante filmmaker Adem Aliaga available with “Stigmata”, “Woman of Ethernaut”, “Fishbone” and “Noah’s Ark”managed in collaboration with david valero. Valencian Alberto Morais appears with ‘Las olas’, ‘Los chicos del puerto’ and ‘La madre’.

Valencian-themed documentary productions: In this section of 30 productions, Valencian cinema’s Malaga, San Sebastián, Valladolid, Mostra de València, Docs Valencia, Docs Barcelona or Documenta Madrid.

Documentaries in recent years include Adrián Silvestre’s ‘Sedimentos’; ‘The Mystery of the Pink Flamingo’ by Javier Polo; ‘Fourth Kingdom’ Adam Aliaga and Alex Lora; ‘The cursed word’ by Javier Álvarez Solís; “A blues for Tehran” by Javier Tolentino; “Almost Ghosts” by Ana Ramón Rubio; by ‘Archaeology’ mario paul martinez; ‘Aimra, the land of no one’ by Pedro Pérez-Rosado; ‘What We’re Looking For’ by Òscar Bernàcer; ‘The man who wants to be Segundo’ by Ramón Alós; Orlando Bosch’s ‘Invisible Worlds’; ‘The Last Airman’ by Francesc Betriu; ‘Discovering José Padilla’ by Susana Guardiola and Marta Figueras; ‘Shadow of the Iceberg’ by Hugo Doménech and Raúl Riebenbauer; ‘Role & Role’ by Chus Gutiérrez; ‘Project USA’, by miguel herrero; “Sound remains” by Laura Pérez; ‘Trans Resistance’ by Claudia Reig; “Collective Celluloid” by Óscar Martín; “Dodge and hit” by Juanjo Giménez and Adán Aliaga; ‘A place in the cinema’ by Alberto Morais; ‘The voices of memory’ by Vicente Peris; “Living on your feet” by Valentí Figueres and “Los ojos de Ariana” by Ricardo Macián.

Some directors are presenting with multiple documentaries. This is the case of Rafa Molés and pepe andrewProducers of Suica Films ‘Lobster soup’, ‘Sara Baras. All sounds’, ‘Five days to dance’, ‘Stuka Experiment’ and ‘Picades against glass’.

Valencian documentary productions with a Valencian theme in particular: ‘Por la gracia de Luis’ by José Luis García Sánchez in this episode; ‘Study in spring’ by Amparo Fortuny; ‘Camaroga’ directed by Alfonso Amador; ‘Dreams of Salt’, by Alfredo Navarro; ‘Water Times’ by Miguel Ángel Baixauli; “And a god in every lentil” by Miguel Ángel Jiménez; Adán Aliağa’s ‘My grandmother’s house’and ‘The Fifth Horseman’ by Rosana Pastor and Enrique Viciano.

Director Òscar Bernàcer is represented in this episode with three documentaries: “The recipe for balance”, “The man who bottled the sun” and “The sun is coming”.

‘Amor en polvo’ by Suso Imbernón and Juanjo Moscardó in the comedy episode; “I would do a thousand things for you” by Dídac Cervera; “The night my mother killed my father” by Inés Paris; “Benidorm, my love” by Santiago Pumarola; ‘Wait for me?’ by Carles Alberola; ‘Cachorro’ by Miguel Albaladejo and ‘El kaserón’ by Pau Martínez.

The Valencian cinema section in Valencia in the original version consists of: 21 productions, between feature films, documentaries and short films.

In this episode, Jordi Núñez’s fiction films ‘El que sabem’; “Thousands of things I can do for you” by Dídac Civera; ‘Wait for me?’ by Carles Alberola; by ‘Orson West’ Fran Ruvira; “Things that stop dying” by Cristina Fernández Pintado and Miguel Llorens; “Talking woman Frederica Montseny” by Laura Mañá; ‘La mort de Guillem’ by Carlos Marqués-Marcet; ‘Brava’ by Roser Aguilar; Ventura Durall’s “L’ofrena” and “Les dues vides de Andrés Rabadán”; Pedro Pérez Rosado’s “Una dona amb unes enormouses” and Sílvia Quer’s “La dona del segle”.

The documentary genre is represented by Alfonso Amador’s ‘Camagoga’; ‘Cremated Earth’ by Sílvia Quer; ‘The Balance Recete’ by Òscar Bernàcer; “Picades against glass” and “Experiment Stuka” by Rafa Moles and Pepe Andreu; ‘The Carraixet bomb’ by Helena Sánchez Bel; ‘La gàbia’ by Adán Aliaga and ‘Temps d’aigua’ by Miguel Ángel Baixauli. You can also watch Lucia Alemany’s fiction short film ’14 anys i un dia’.

There are eleven productions in the category of animated short and feature films: ‘Mironins’ by Mikel Mas Bilbao and Txesco Montalt; ‘Methamorphosis’ by Juan Fran Jacinto and Carla Pereira; “After” by Sam Conflictive; ‘Makun’ by Emilio Martí; ‘Cigarette salesman’ by Jaime Maestro; ‘Vía Tango’ by Adriana Navarro; “Blue & Malone: ​​Cases” and “Blue & Malone: ​​Detectives” by Abraham López Guerrero; ‘A luggage room’ by Daniela Cuenca; “Umbrellas” by José Prats and Álvaro Robles and “You are not the Strong the Strong” by Emilio Yebra.

The ‘Valencian Gaze’ section features feature films by Valencian directors that were not made in Valencia, such as Luis García Berlanga’s ‘La escopeta nacional’; ‘El stubborn’ by Francisco Lara Palop; ‘REC’ and ‘REC2’ by Jaume Balagueró and Paco Plaza; ‘REC3’ from Paco Plaza; ‘The Virginia Club Orchestra’ and ‘The leftlovers’, Manuel Iborra; “Executed” by Lucas Moro and Manuel Rossell; ‘Birthday’, By Eugenio Mira; “Longa noite” and “Arraianos” by Eloy Enciso; “Only me” by Javier Balaguer; Sergio Villanueva’s ‘The Eaters’; ‘broken silence’ by Piluca Baquero; “The Incredibles” david valero; “Giants” and “Everybody is dead” by Beatriz Sanchis; ‘Teachers of the Republic’ Pilar Perez Solano; ‘Tears of Africa’ by Amparo Climent; ‘The Kovak box’ by Daniel Monzón; ‘Enxaneta’ and ’50 Days of May’ by Alfonso Amador; ‘Waste’ by David Marqués; ‘Wet Letters’ by Paula Palacios; ‘An afterlife’ and ‘Cántico’ directed by Sigfrid Monleón; and ‘Love objects’ by Fran Silvestre.

‘Stanbrook’ and ‘Bikini’ by Òscar Bernàcer in the short films section; ‘Snorkel’ and ‘Mindanao’ by Borja Soler; “Dogs bark” by Sergio Serrano; ‘The Carraixet bomb’ by Helena Sánchez Bel; ‘La gàbia’ by Adán Aliağa; ‘The Wishers’, ‘Las vísceras’ and ‘Pueblo’ by Elena López Riera; ‘Methamorphosis’ by Juan Fran Jacinto and Carla Pereira; ‘Makun’ by Emilio Martí; ‘The Cigarette Dealer’ by Jaime Maestro; ‘Vía Tango’ by Adriana Navarro; “Blue & Malone: ​​Cases” and “Blue & Malone: ​​Detectives” by Abraham López Guerrero; ‘A luggage room’ by Daniela Cuenca; ‘Umbrellas’ by José Prats and Álvaro Robles; ‘You are not the strongest’ by Emilio Yebra; “Golden legend”, “Mystery”, “Protoparticles”, “Disco glows” and “Attack of Nebula 5 robots” by Chema García Ibarra; ’14 years and one day’ by Lucia Alemany; ‘Europe in 8 bits’ by Javier Polo and ‘Fallas 37: art at war’ by Óscar Martín.