The breaking of stagnant disciplines in the world of patent art in the 1960s and 1970s, Elena Asins (1940-2015) visual poetry, music and spelling. As a result of this burst of creativity, orpheus songsa poetic tune for three voices and chorus, contained in a document eusebio semper It is preserved in MACA.
Now for the exhibition The sound of the wind is a tireless whistlewhich can be seen for the first time in the Alicante museum and in a free version designed by Alicante Triple Poem Action composing Bartolomé Ferrando, Laura Tejeda and Alain Goudard, Accompanied by the MACA Apron Choir sonia megiasThese poems will be sung, interpreted, read, played and represented, a unique performative vocal show. Will be Saturday, March 4, at 18:30. on MAC.
symphony orpheus songs, One of the most important contributions to experimental poetry in Spain, 19 visual poems of musical nature-HE can be seen at the exhibition MACA-, made on loose sheets of paper typewritermake up some beautiful pictures with letters, grouping of unreadable sounds and words Making sentences with a certain semantic meaning and literary qualities alluding to one of the oldest and darkest chapters of Greek mythology: the story of orpheus and eurydicepassed with love and death.
Dedicated to Eusebio Sempere
Asins sent this collection of poems to Eusebio Sempere in a folder with a note: C.Mobile sculpture for Eusebio Sempere, predecessors of Orpheus to be so one of three preserved specimens, each with a different number of poems and minor variations or versions. This example preserved in MACA, Sempere’s mobile sculpture project I was preparing for IBM company in the late 1960s.
Elena Asins started the path to geometric abstraction and experimentation in the mid-1960s. she joined their circle. experimental poetry and through unconventional supports and tagging and writing procedures, pieces were discovered that were closer to visual or tangible poetry and showed great sensitivity to poetry. minimal and basic possibilities of plastic art.